The Creators Project | Origin by UVA + Scanner

At the 2011 Creators Project New York event, United Visual Artists’ massive LED sculpture Origin attracted spectators like insects to bright light.

Set in the foreground of the Brooklyn Bridge, the artwork was continuously engaged with its environment through the buzzing dialogue between the visual light and sound.

On March 17-18 the Creators project will be kicking off on the West Coast at Fort Mason, San Francisco, CA

Max Mathews and the future of musical instruments

Matthews studied electrical engineering at the California Institute of Technology and the Massachusetts Institute of Technology, receiving a Sc.D. in 1954. Working at Bell Labs, Mathews wrote MUSIC, the first widely-used program for sound generation, in 1957. For the rest of the century, he continued as a leader in digital audio research, synthesis, and human-computer interaction as it pertains to music performance.

Although he was not the first to generate sound with a computer (an Australian CSIRAC computer played tunes as early as 1951), Mathews fathered generations of digital music tools.

He described his work in parental terms in this excerpt from “Horizons in Computer Music,” March 8–9, 1997, Indiana University:

“Computer performance of music was born in 1957 when an IBM 704 in NYC played a 17 second composition on the Music I program which I wrote. The timbres and notes were not inspiring, but the technical breakthrough is still reverberating. Music I led me to Music II through V. A host of others wrote Music 10, Music 360, Music 15, Csound and Cmix. Many exciting pieces are now performed digitally. The IBM 704 and its siblings were strictly studio machines – they were far too slow to synthesize music in real-time. Chowning’s FM algorithms and the advent of fast, inexpensive, digital chips made real-time possible, and equally important, made it affordable.”

In the following video made at the SF MusicTech Summit last year  Mathew speaks about innovation